![]() He did that on "Giant Steps" a lot more proficiently. So, the key changes every two bars or so. Instead of it being rooted in C, we'll change the key as well. Whereas, for Changes, we took a bit of a jazz kind of thing, whereby every time the chord changes… let's say you moved from a C major to a D major. Traditionally, a pop song will have a musical key, and then any chord that exists within that will kind of be rooted around whatever that key is. ![]() It's kind of a thing where we would choose a couple of chords - really simple chord progressions, like three or four chords per song. The other album that comes out this month, Changes, kind of taps in on having theory as one of the pillars or tenets of the album as well, where it wasn't based on a scale or anything. None of us are hugely accomplished musicians, or know all the theory. This is probably the most binary in terms of exploring the concept of an album in a theory sense. Not in such a conceptual way, in terms of setting a conceptual limitation for what an album or project would be. ![]() ![]() How would you contextualize Ice, Death, Planets, Lungs, Mushrooms and Lava within King Gizzard's voluminous output? Have you guys ever worked with a pre-ordained conceit like this? Read on for an interview with Walker about King Gizzard's triad of albums, their relationship with improvisational and modal music, and where his unpredictable band might - maybe - veer next. But whatever their next three (or three dozen) albums will be like, King Gizzard are worth investigating on a record-by-record basis, not just due to there being a lot of them. Once they're off the road, the band plans to revisit their heavier side, a la 2019's tribute to '80s and '90s hesher metal, Infest the Rat's Nest. This underlines a simple fact about King Gizzard, and perhaps their similarly prolific counterparts - they don't just make lots of music, but an impressively wide range of it. 28 and has been gestating for years, is a mode-toggling twist with elements of R&B, fusion and hyperpop. 12, is another manifestation of Ice, Death… 's freewheeling approach Changes, which drops Oct. "That's the best way of trying to convey theory, I think - to identify some emotional tone with them." "That's what's great with the album - all of the identities and personalities of those scales within them," Walker tells on the road from Ashland, Oregon. Instead, they wanted to introduce listeners to the psychological hues within each mode. This wasn't simply to show off their theory chops Walker doesn't even see himself and his bandmates as nerds in that respect. From there, the band sliced and diced the jams into succinct songs, and added further elements, including vocals. For each tune, they simply selected a tempo and a mode, and began playing. ![]() This points to the animating idea behind that album and Laminated Denim - hung on a musical concept dating back in ancient times.Īs guitarist and multi-instrumentalist Joey Walker explains, the guys showed up to the studio sans songs or even riffs. The title of Ice, Death… spells out a mnemonic for the seven modes of the major scale: Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, and Locrian. Their individual characteristics blossom despite a shared central conceit, which governs the first two albums in particular. (Just Google "King Gizzard prolific," and more than 166,000 results show up.)īecause if you have a taste for proggy, teeming, multitudinous music, each of these offerings is absolutely worth enjoying on its own merits - not as mere reminders of that aspect pinned on them by critics.Įach of those three LPs ( Ice, Death, Planets, Lungs, Mushrooms and Lava Laminated Denim and Changes ) possesses a particular character and vibe worth absorbing over multiple listens. This includes King Gizzard and the Lizard Wizard, who are releasing three albums in Oct. This is unfair to those three, as well as many others who shatter the conventional model of the two- or three-year cycle. But for the purposes of the press, they often get boiled down to a single trait: they churn out a lot of music. Merzbow, Ty Segall, Guided by Voices - these are inarguably multifaceted rock acts, with rich and complex histories. ![]()
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